Dylan cover by Cat Power

“Like a Rolling Stone” (Live at the Royal Albert Hall)

“A human being is here”

A poem by Jon Fosse, the new Nobel Prize Winner for Literature.

I seem to detect a written atmosphere or resonance that reminds me of Beckett and of Tranströmer. I find this poem to be astonishing, but further commentary by me would be annoying and superfluous.

https://www.poetryinternational.com/en/poets-poems/poems/poem/103-17534_A-HUMAN-BEING-IS-HERE

Taylor Swift…

 …is the most startling, high-quality songwriter since Bob Dylan, Lennon-McCartney, Joni Mitchell, John Fogerty, and Elvis Costello.

This is jaw-dropping excellence. What an amazing musical creator (lyricist and melodist) and what an admirable soul this young woman possesses! 

I’m in a kind of quiet, appreciative awe about this remarkable musician. 

Spirits

 

Intuition

I've felt it wandering through the darkness between old memories and beneath maps

blown in from nights of endless dreams.

It's as elusive as the fragrances of colors.

I've almost seen it as a kind of palimpsest

on which time inscribes a baffling beauty.

It sometimes appears when I think of a place

that doesn't exist, where evening comes deeply and austere shadows are winged in by swallows. It's like the dim flowing of chemicals in poppies. I've almost known a word floating from trances, similar in valence to “significance.” It quivers

as a hesitant disclosure or like the fractal irises 

of a strange curator's eyes. Something like hope is gathering quietly in the fantastical tangents.

~TB

a meditation on Schubert's WINTERREISE

Franz Schubert died at the age of 31.

When I listen to his works, a condition of reverence permeates my brain -- a spontaneous, natural hallowing of his memory. He conjured music of deathless beauty. His songs are exquisite spells of melancholy.

I think this book is a good thing, a well-written and thorough appreciation of the great song cycle Winterreise:

amazon.com

Schumann's SPRING

Robert Schumann's imagistic, programmatic ideas for his Symphony No. 1 in B-flat major, Op. 38 ("Spring") came to him only after the work was completed.

He suggests for the opening movement a longing for spring. Later in the symphony, a sense of things coming to life. Projected onto the last movement is a sort of in-the-moment melancholy that spring is passing too darn fast.

This is the first symphony I fell in love with. It happened around 1979. I still have this LP, recorded in 1958:




I bought the George Szell and Cleveland Orchestra CD of all the Schumann symphonies:

amazon.com

I've always had some trouble trying to apply Schumann's after-the-fact spring imagery to this work. Occasionally, I succeed in placing my imagination beside an imaginary winter fireplace -- longing for spring. Occasionally, I succeed in sensing a surge of growth, of vernal energy and bounteous bloom during later symphonic moments. But for the most part, I take in this work as an abstract musical wonder -- I'm stunned by and made captive to high-quality aural structures, oblique emotions, gestural spirits.